And Now It’s Time For This Iconic Selfie, Plus Another

This is the third year in a row I have posted the same pix of me wearing this onesie/thong holiday-wear which some reader sent me in 2020. So far, the first photo is perfect for showing off this revealing oddity o’ clothing someone so graciously gifted me, so I don’t yet feel the need to take new selfies. Note that I’m also wearing a Rudolph Bow Tie o’ the Day, as well as a Rudolph Necktie o’ the Day. The blue-and-gold paisley Face Mask o’ the Day is a crowning touch to my get-up. It looks lush, if I do say so myself. 🦌

Banned Books o’ the Day: Today, I’m re-reading a couple of once-banned books published in the early 70’s. The first, THE CONTEMPORARY AMERICAN POETS: AMERICAN POETRY SINCE 1940 (edited by Mark Strand), was once the target of banning by a group of really feeble university poetry professors who thought it would poison the minds of poetry readers, because most of the poems in the book don’t rhyme and don’t follow traditional poetic forms. I have a feeling those old goats all passed on long ago—so modern poetry is safe from further judgment by those ol’ relics of the Snooty Rhymes-and-Forms Poetry Club .

The second banned book is THE WORLD SPLIT OPEN: FOUR CENTURIES OF WOMEN POETS IN ENGLAND AND AMERICA, 1552-1950 (edited by Louise Bernikow). And what was the reason for trying to ban this collection? Some goober male wanna-be poet was offended that there were no male poets represented in the book. Hello! The title tells you way, way, way up front that the book’s purpose is to be a collection of poetry written by women. Oy, vey! I cannot make up this asinine reasoning.

Oddly enough, I bought both of these banned books at Deseret Book in the University Mall, in Orem, around 1978. At that time, that particular Deseret Book store’s poetry section—as far as I can recall—had only these two poetry anthologies; every Rod McKuen book known to the Library of Congress; a Carol Lynn Pearson book or two (but not her books with the poems about life sometimes being a messy business); and one very dusty copy of a book of Elizabeth Barrett Browning poems—in which Browning counts the ways. That was it—out of all the poetry written since recorded time, that was the entirety of Deseret Book’s poetry section back then. So I bought these two purportedly scandalous anthologies, and the Rod McKuen and Carol Lynn Pearson books. I already had Elizabeth Barrett Browning’s poetry tucked away at home, in my bedroom library. In those days, I bought whatever poetry I could find, wherever I could find it. I guess it’s kinda like what I still do, eh?